I work across photography and installation to explore systems that seek stability but can never fully achieve it. Whether through portraiture, architecture, or material intervention, I am interested in the point where order begins to give way to change.

My work examines the tension between control and stability, repetition and difference, pressure and release. Rather than treating photography as a fixed representation, I approach it as a vulnerable material that can shift, rupture, and resist permanence.

Across my practice, I leave materials exposed instead of concealing how they are made. Paper remains paper, support remains support, and construction becomes part of the work rather than disappearing behind it. I am interested in the moments when systems intended to stabilise experience reveal their own fragility.

For me, photography is not only a way of recording the world, but a material through which time, change, and instability become visible.